skip to main content

Have Your Say on the Competition and Markets Authority Music Streaming Decision

Tell the Competition and Markets Authority what you think about the decision not to go ahead with a full market investigation into music streaming.

Published: 08 August 2022 | 3:38 PM Updated: 02 August 2023 | 12:32 PM
Black and white close up image of mixing desk and open laptop in soft focus.
Working together, we are closer to a solution than we have ever been. Image credit: The MU.

In July, the Competition and Markets Authority (CMA) announced that it would not be going ahead with a full market investigation of music streaming. This decision is hugely disappointing, but it’s not finalised yet.

The CMA is consulting on their proposal not to do a market investigation.

The MU will be sending in a submission urging the CMA to reconsider – and you have until the close of 19 August 2022 to do the same.

Email musicstreaming@cma.gov.uk with your comments.

Please include your experience and perspective of the issues as a songwriter, composer, performer, and/or independent artist.  

The case for a market study

 Here’s a summary of the key points we think the CMA should consider:

  • Effective competition is not possible in the streaming market. This is because platforms like Spotify, whose main business is music streaming, are competing with platforms like Apple and Amazon who make their money from selling services and products. This results in static pricing and consequently the suppression of royalties. Like dairy farmers who would otherwise be at the mercy of supermarket pricing and lose their livelihoods, some form of market intervention is needed to ensure fairness for those who create music.
  • Majors are incentivised to act contrary to the interests of songwriters. Due to the relative royalty rates in recording and publishing deals, it is in the interests of major corporations that have recording and publishing arms to ensure that more revenue goes via their record label and less goes via their publisher.
  • Licensing deals major labels do with the platforms are not transparent. This lack of visibility of deals between the major labels and the platforms disadvantages anyone trying to compete with them.
  • The share of revenue going to publishing is effectively controlled by the majors. When streaming services were first established, the major labels negotiated their share of streaming revenue with the platforms before the publishers and independents negotiated theirs. This set a low benchmark for the publishers’ share. As a result, there was and still is little left for others in the market – and makes the market uncompetitive.
  • Keeping the share of revenue received by other publishers low means songwriters do not have the level of choice assumed by the CMA Update paper. This is a result of a market that is not working – and why the Fix Streaming and Broken Record campaigns exist; the alternative to trying to fix a broken market is to leave it altogether. 

More detailed information on all of these points may be found in submissions from the MU and The Ivors Academy.  

Together we can fix streaming

The CMA market study is just one strand of work to fix streaming and keep music alive.

Since May 2020, together we have:

This progress is down to you and your coming together under the Fix Streaming and Broken Record banners.

 We are up against powerful interest groups who do not want to fix streaming. But working together, we are closer to a solution than we have ever been.

Find out more in General Secretary Naomi Pohl’s latest campaign update.

 

 

#FixStreaming

Take urgent action to fix streaming

Call on Parliament to back music streaming royalties for non-featured artists

Take urgent action to fix streaming

Continue reading

Musician playing acoustic guitar, facing the setting sun and a crowd, performing at a festival. Flags and fairy lights are out of focus in the background.

UK Artist Touring Fund Announces Second Phase Artists

The UK Artist Touring Fund (UKAT) has announced the 49 artists receiving support in its latest funding round, following the expansion of the scheme to help more UK artists navigate the ongoing cost-of-touring crisis.

Published: 06 November 2026

Read more about UK Artist Touring Fund Announces Second Phase Artists
Black background with wooden stick figures placed on top in different colours, some also represent wheelchair users.

Attitude is Everything Publish the State of Access Report 2026

This week, Attitude is Everything published the State of Access Report 2026, the charity’s first major research report in eight years, revealing persistent and widespread barriers to accessibility across the UK music and live events sector, despite signs of progress in access provision.

Published: 05 November 2026

Read more about Attitude is Everything Publish the State of Access Report 2026
A calculator and pair of glasses on top of a sound mixing desk.

Member Benefit: Discounted Tax Advice for Musicians

From royalties and advances to self-employment, PAYE and international work, musicians often have unique tax needs. MU members can access discounted advice from qualified tax professionals with experience of the music industry.

Published: 01 November 2026

Read more about Member Benefit: Discounted Tax Advice for Musicians
Close up hands playing an organ.

MU Redesigns Organists and Ceremonies Rates

Sector expertise, including contributions from the Royal College of Organists (RCO) and MU/RCO joint members, helped shape the new rates, which introduce new categories, updated guidance and a 3% uplift for 2026 to better reflect organists' working practices and responsibilities.

Published: 30 October 2026

Read more about MU Redesigns Organists and Ceremonies Rates