skip to main content

#YWM15: How to Pitch for Work

Tips on how to pitch for work effectively, taken from our Young Workers’ Month ‘Get the best deal’ workshop.

Published: 26 November 2015 | 12:00 AM Updated: 28 April 2021 | 4:28 PM

This Young Workers' Month we've already looked at pay and getting fit for freelance work. Next up, we look at pitching. Here are some top tips from our recent ‘Get the best deal: how to pitch for work & get paid properly’ workshop…

In such a competitive environment, it’s vital to be proactive in getting your work under the right people’s noses and showing them why you’re the best person for the job. To help you do this, some direct sales techniques will help.

Identify and target your ‘hot leads’. Focus your efforts on those people who are most likely to be commissioning your type of work now rather than take a scattergun approach. You’ll probably already have some likely candidates in mind. As well as these, it’s advisable to expand your radar by keeping up with who’s hiring whom and when, e.g., through word of mouth and online research. Once you start looking actively and regularly, you’ll be surprised at how many opportunities are out there.

Set realistic targets. Get into the habit of setting manageable targets, like you commit to contacting one potential client per week. Here, ‘contacting’ doesn’t mean a passive email that you never hear back from or a message left on voicemail. It means getting through to the ‘buyer’ to instigate two-way communication and move a step forward towards agreeing the commission e.g., an email that results in a producer agreeing to look at a demo; a phone call to introduce yourself and set up a meeting.

Be courageous. If you’re not keen on the idea of ‘selling’, use the passion and enthusiasm you have for your work to motivate you: you offer something valuable that people want, but they can’t hire you unless they know that you exist and how perfect you are for them! The alternative is waiting and hoping that work will land in your lap. You may get dribs and drabs with this approach but taking control and being proactive is logically a much better strategy.

Practice. If you’re nervous to start, bear in mind that the more practice you get the more confident you will become – especially when you see your efforts paying off.

Research and prepare. Find out as much as possible about the potential client and their needs before making contact for the first time and keep asking questions on an on-going basis. This will allow you to pinpoint the specific experience and skills that you have that will best match their needs.

Think about how the client will benefit from hiring you and be prepared to spell out these benefits. In addition to your talent and experience, think about the less obvious benefits that differentiate you from the competition and add value. For example, the client may be deciding between several wedding bands, all with an excellent reputation. Your USP (unique selling point) is that you live locally, which means that you can pop in to the venue the night before to ensure that things are set up properly for the big day. This re-assures the client that everything will run smoothly and is one less stressful thing for them to think about. Ca-ching.

Decide on how to deliver your pitch and what you need to use to showcase your work. You might have a 15-minute window of opportunity over coffee where you take a laptop to show a few video clips, or perhaps you’re delivering a formal presentation to a group of executives where you’ll need to ensure all the right technical equipment is on hand.

Practice your delivery. The amount of effort you put in to this will depend on how important the work is to you, how complicated the pitch is and how much time you have to deliver it. At the very least, rehearse your introduction and key messages, i.e., the most important details that you wish to convey at that time.

You need to be aware of how you come across to others too. Just like any performance, preparation and practice will help you manage your nerves and convey confidence. If you feel that you know what you’re talking about, you’ll also be less self-aware with the headspace to better listen and observe the client and adjust what you’re saying if necessary.

Use appropriate and dynamic vocabulary that builds a clear and enticing picture in the client’s head, being animated when you speak, using positive body language and varying the volume, tone and tempo of your voice to make it more interesting are all important factors in getting the result you want.

Ask for the work. If people seem to be reacting well to what you’re saying, do prompt them to make a decision by asking for the work. For example, “You seem to be happy with everything that we’ve talked about. Would you like to go ahead?”. It doesn’t matter if they say ‘no’ because this is a way of flushing out a concern that they perhaps haven’t mentioned yet. So, you might say: “OK, is there anything else that we need to cover before you can make a decision?”

Find out more. Read these quick tips on pitching your work, take an online course with FEU Training on related topics including business skils, marketing and negotiation, and keep an eye out for the next FEU Training one day workshop near you.

Get MU membership today

From gig players to part-time teachers and professional instrumentalists, MU members can access specialist insurance for musicians. This includes Public Liability, Instrument and Equipment Insurance, Accident Insurance, Tax Investigation Insurance, and Professional Indemnity Insurance for music teachers.

Explore our member services

  • Get public liability insurance for musicians
  • Access expert legal support
  • Be represented in your profession
  • Access expert career advice, resources, and training events
  • Connect, network, and get to know the community of musicians

Learn about all membership benefits

Get MU membership today

Continue reading

Royal Albert Dock, Liverpool at sunset.

Outer Waves Festival Returns to Liverpool with MU Member Discount

Outer Waves Festival, the North West's newest celebration of underground arts returns to Liverpool 23-24 May 2026. MU North of England Regional Officer Philip Morris will join a panel on gentrification, and MU members can access discounted weekend tickets.

Published: 13 May 2026

Member only Read more about Outer Waves Festival Returns to Liverpool with MU Member Discount
Women sat in front of some water at sunset with headphones on.

Three in Four Performing Arts Professionals Face Career-Impacting Health Issues Says New BAPAM Report

A new BAPAM Impact Report reveals that 75% of performing arts professionals will face a career-impacting health issue, as demand for specialist support reaches record levels. The MU is among the organisations supporting BAPAM’s work to improve health provision across the sector.

Published: 13 May 2026

Read more about Three in Four Performing Arts Professionals Face Career-Impacting Health Issues Says New BAPAM Report
13 members of the Board gathered in front of some stairs.

MU Joins Newcastle Gateshead Music City Strategic Board

The MU has joined the new Newcastle Gateshead Music City Strategic Board alongside artists, venues, labels, media professionals, academics and industry experts. The Board will help shape the future of the region’s music sector and support long-term growth across the local music ecosystem.

Published: 11 May 2026

Read more about MU Joins Newcastle Gateshead Music City Strategic Board
The panellists sat on the stage with microphones, in front of a screen with saying

MU Panel Explores Rates, Rights and Royalties at Sound City 2026

At Liverpool Sound City Conference 2026, the MU brought together industry professionals and working musicians for its ‘Money in the Mix’ panel to demystify these issues and offer practical insights into building a sustainable career in session work.

Published: 11 May 2026

Read more about MU Panel Explores Rates, Rights and Royalties at Sound City 2026